Constellations

This internationally performed play which explores possibilities. Roland the bee keeper, and Marianne the physicist meet at a social gathering, just like any two people meet. And just like any other such meeting, there are numerous possibilities to this. It can be their last meeting, or, they can go on for a few dates and then break-up, or they can get married and so on and on… The actors enact many of these could-have-beens, a spectrum of responses, a plethora of reactions from the same characters in the same situation.

The roles were played by Jib Sarbh and Mansi Multani at NCPA when I watched this performance. The setup by NCPA, which also was the producer, was elegant. Particularly the lighting looked very nice. The actors also performed well. And as I said earlier, this is an internally acclaimed play which demands the best from the best of the performers. Actors like Jake Gyllenhaal had donned the role of Roland earlier and it is far from an easy task to perform in a play like this experimental and it is a unique writing.

Sadly, beyond that experimentation and novelty factor, the play has nothing much to offer. In fact, it becomes boring. Mistake me not, the actors and the producers have put the best of the efforts and the show looks elegant. But the writing is so that it reduces to alternate line-readings to the audience. It ultimately becomes dull and monotonous many times, and annoying at a few instances.

AglaPlay Verdict: Avoid
AglaPlay Rating: 1/5
Language: English
Duration: 1 hour 10 minutes (Approx)
Writer: Nick Payne
Director: Bruce Guthrie 
Cast:  Jim Sarbh (Roland)
Mansi Multani (Mariane)

Below are a few relevant links. The web link to the library touring performance of the play is also provided (without lighting and sound effects).

Other Links
Trailer Constellations
Full Performance of the play
Constellations Wikipedia
Constellations GoodReads

Ek Aur Dronacharya

This unsparing, hard-hitting play showcases ground realities of world through events in lives of two teachers across eras. One, the mythical master of archery and scriptures – Dronacharya and another – Arvind, an honest modern-day college professor. Divided by the eras and times, the two unite in the conundrums they face as the practicality hit their idealism hard.

The play is unforgiving in its portrayal of ever-existing conflicts between idealism and the reality; an individual against the system. The idealism, which needs to stand upright with its head held high, is repeatedly drawn into submission for human needs. Did ideals took a bashing from Kaurvas Gold in Mahabharata period? Will ideals genuflect to Rupees in modern world?

The IPTA group delivers yet another sterling performance in this play. Aanjjan and Akhilendra particularly are exemplary in the characters they portray. The play is tightly written. The costumes and stage set is done well. Especially the costumes of Mahabharata-era are very nicely done. A must-watch for the theatre goers who would enjoy a hard-hitting play with great performances!

AglaPlay Verdict: Do watch!
AglaPlay Rating: 4/5
Language: Hindi
Duration: 2 hours 30 minutes (Approx)
Writer: Shankar Shesh 
Director: Subhash Dangayach 
Cast:  Aanjjan Srivastav (Arvind), 
Sulabha Arya (Arvind's wife), 
Akhilendra Mishra (Dronachaarya), 
Nivedita Baunthiyal (Dronacharya's wife)
& Others

Below are a few relevant links. The web link to the play performance by IIT Kanpur students is also provided for those who cannot see live performance.

Other Links
Image Gallery at IPTA Mumbai site
Shankar Shesh Wikipedia
Performance by IIT K 

Salaam Noni Appa

Salutations to sister Noni! Noni, the central character of the play is a widow in her sixties or seventies. She is graceful, calm and composed. In her contrast, her sole companion and sister Binny is full of life and energetic. Binny chooses a new hobby to dabble in every other week, while Noni keeps to herself, spending evenings with scotch reminiscing old days when she felt complete with her husband. After much persuasion from Binny, Noni agrees to practicing Yoga where she meets Anand Ji, the yoga teacher. They become friends. Noni no longer feels alone as earlier. But what is society’s judgement? Is the society even correct in its judgement? Anand has a family while Noni’s only daughter in thirties or forties is living in US, and is not married yet. The play gradually answers all these and comments on societal norms’ impact on the individual’s happiness.

Lillete Dubey’s direction comes through with flying colors yet again. A good actor, she is. She does justice to the roles on the stage as an actor, but what she does to as a director is magic. This play is yet another directorial masterpiece which strikes perfect balance of every emotion and every situation. The characterization is well done, and the cast fits the roles effortlessly.

Strongly recommended for the balance it strikes. The play impacts the progressive outward attitude of characters against regressive inner mindsets; yet manages to deliver it all on a lighter note. Weathering the traffic on road, tensions in office, with ever-increasing costs at home, the performance provides much needed thoughtful break to Mumbai audience!

AglaPlay Verdict: Do watch!
AglaPlay Rating: 4/5
Language: English
Duration: 90 minutes
Writer: Twinkle Khanna
Director: Lillete Dubey
Cast: Lillete Dubey (Noni Appa), 
Jayati Bhatia (Binny), 
Yatin Karyekar (Anand) & Others

Below are a few relevant links. The web links to other reviews are also provided for easy reference.

Other Links
Review at Broadway.com
Review at BookMyShow
The Legend of Lakshmi Prasad at Goodreads
Lillete Dubey Wikipedia 
Jayati Bhatia Wikipedia

Hamari Neeta Ki Shaadi

In a country of festivals – India – the biggest family festival is still a daughter’s wedding. The traditions may or may not be practised in a Diwali, or a Dussehra, but marriages are different. What will relatives say if a custom is forgotten? What if something is not perfect in this once in a lifetime event? What bad luck may fall upon if some ritual gets missed?

Mumbai-based Upadhyay family with ancestral roots in UP are in the fix here. Their daughter, Neeta, is getting wed in two days. Parents Kaveri and Dashrath are supported by good-natured Chacha ji, Prasad. Team is completed by couple’s son Atul, servant Lallan and driver Mukesh. Many of the challenges and situations are solved deftly by this team. They almost make it too, but then get stuck in a situation. Did they finally manage to solve the issue?

The performance from Ank group cast is again top-notch! Also, a big applause to the team for the welcome surprise before the play! The first half of the play is tight and sticks to the problems with which audience can connect. The characters of Chacha ji is particularly entertaining and well-developed through the scenes. The play has its moments to break audience in guffaws.

That said, the play looses its track in mid and the whole focus shifts to a ludicrous situation. The only thing more ridiculous than the situation is the solutions by the characters. The immense potential – both of the chosen topic and the competence of the actors – is largely wasted. The end product is an average play which is still watchable, but stops far from being a memorable one.

AglaPlay Verdict: Average.
AglaPlay Rating: 2/5
Language: Hindi
Duration: 90 minutes
Writer: Veena Bakshi 
Director:  Veena Bakshi
Cast:  Shankar Iyer (Prasad)
Aman Gupta (Dashrath), 
Preeta Mathur (Kaveri),  
Arunima Joshi (Neeta),
B. Topiwala, J. Rehman,
Mani Pillai, Rajat Yadav
and S. Priyadarshi 

Below are a few relevant links. The web links to other reviews are also provided for easy reference.

Other Links
Review by Deepa Gehlot
Veena Bakshi IMDb

Hai Mera Dil

This is the longest running play in Hindi theatre history. Adaption of the 1964 movie ‘Send Me No Flowers’, the play’s 1150th show was staged in March 2019. The play continues to be regularly performed on popular demand and is among the most enjoyable performances I have seen.

Hai Mera Dil is about a loving couple Madan and his wife Usha. Madan, a hypochondriac, gets to know from the doctor that he has only few days to live. He has loads to do in these last few days, but finding a person who can take support his simpleton wife takes the top priority. And then, choosing the his final resting place is also not an easy task with many options available from a company which prides itself in ‘solving your grave concerns’. Madan tries to lighten his heart by sharing his feelings with his drunkard friend Arvind. Madan also tries to hook-up Usha with a common friend, Mohan. What follows is a laughing riot with jibes at contemporary political and cultural situations.

The play scores a perfect in all parameters – acting, direction, dialogue delivery and more. A must watch with your partner, audience’s laughter continue unabated from the first to the last scene. I personally respect the playwright for bringing the laughs naturally with a good taste, without berating anyone or any character. Both thumbs up for this play! Please watch!

AglaPlay Verdict: A must watch.
AglaPlay Rating: 5/5
Language: Hindi
Duration: 
Writer: Julius J. Epstein, 
Adaption: Late Dinesh Thakur
Director: Late Dinesh Thakur
Cast:  Aman Gupta (Madan), 
Preeta Mathur (Usha),  
Atul Mathur (Arvind),
Sumit Bhardwaj (Mohan),
Shankar Iyer (salesman). 

Below are a few relevant links. The web links to other reviews are also provided for easy reference.

Other Links
A scene from Hai Mera Dil
Send Me No Flowers Wikipedia
Interview of Preeta Mathur & Aman Gupta
The Hindu article on Dinesh Thakur