Ram

The play is a satire on the religion fanatics and the use of religion for political gains. A madman who seeks shelter at Ram’s temple is thrown out by the worshipers. Manhandled by the temple-goers, the tramp proclaims to take Bhagwaan Ram out of the temple. The police constable comes to this madman’s rescue and saves him from the angry crowd. The play is the conversation between this madman and the constable. The madman turns out to be a well-read knowledgeable person, yet lunatic at his ways. Is the madman really a madman, or is more logical that people around him? Does the proclamation comes true?

The best (and the funniest and the most creative) part is the mash-up of characters from Mahabharata and Ramayana who are in a pickle – unsure and confused with the mix-up. These scenes are particularly enjoyable with the thought-provoking symbolism and innuendos.

Writer-director Makarand Deshpande delivers an excellent performance in his portrayal of central character – the madman. Nagesh Bhonsle has good comic timing and portrays constable well.

I watched this in Prithvi and the stage setup is marvelous. There is light fog in the whole auditorium which creates a feeling of being in the temple. Live music and light effects complement the performances. Especially the music at the start takes you to the mood inside a temple.

What does not work for this play is the length and over-philosophical narration of the writer. The first 60 minutes – first half – is done very well and is complete play in itself. The idea and philosophy is clear, the characters are sweet and it also has a good ending in itself. Sadly, the play does not stop there! The second half stretches the ideas of first half to the extent where it becomes boring. There are saving graces in the second half like the scenes involving the Vanara-sena, but they are few and far between. Dialogues are long and different words and metaphors to deliver same message.

Overall it is an average play. It could have been an amazing play with some tight edits!

AglaPlay Verdict: Average play, lengthy and overbearing at times.
AglaPlay Rating: 2.5/5
Language: Hindi
Duration: 2 Hour+ 
Writer: Makarand Deshpande
Director:  Makarand Deshpande 
Cast: Makarand Deshpande (Madman),
Nagesh Bhonsle (Constable),
& Others

Below are few relevant links

Other Links
Few Scenes from the play
Origin of Ansh Group
Makarand Deskhpande Wikipedia

Sir Sir Sarla

Sir Sir Sarla play is about internal conflicts playing in minds of a professor and two of his students. Professor Palekar teaches literature (and philosophy). Two of his closest students were Phanidhar and Sarla. Phanidhar continues to stay with his teacher years after graduation while Sarla is married (to another of his students, Keshav). The three characters are in a continuous state of conundrums and doubts. Their actions and philosophies contradict each other several times as the story unfolds. What is it that remains unsaid among the three?

Makrand Deskhpande, who is also the director and the writer of the play has done marvelous job on all fronts. It is a well-written, well-directed performance with good acting. Portrayal of Sarla as a bubbly, moody character is nicely done by Kumra. However, one who aces is Sanjay Dadhich. In his role as Phanidhar, he gets some of the best lines and steals audience attention from the other two characters with his one-liners.

The downside is the long duration of the play which stretches north of 2 hours which is long for this content. There are opportunities of few edits here and there to make the presentation sharper. Overall it is a good play with good performances.

AglaPlay Verdict: Good Play
AglaPlay Rating: 3/5
Language: Hindi
Duration: 2 Hour+ 
Writer: Makarand Deshpande
Director:  Makarand Deshpande 
Cast: Makarand Deshpande (Prof. Palekar),
Sanjay Dadhich (Phanidhar),
Aahana Kumra (Sarla) 
& Others

Below are a few relevant links.

Other Links
Makarand Deshpande on casting and play
Origin of Ansh Group
Interview of Makarand and Aahana
Makarand Deskhpande Wikipedia