Naha Le Re Bhai

Naha Le Re Bhai is a satire on Indian bureaucracy and judicial system. It is a collection of short scenes, each having one short story. The namesake case filed by wife seeking divorce from her husband is brought to the court as the last case of the play. The court employees also have standalone scenes with funny one-liners and jibes at government, society and beliefs.

Few of the scenes and one-liners are done well and entertains the audience. The performance of Vedika Singh as the plaintiff for the namesake case is spontaneous and memorable. Other actors also fit the role. The weak link is the script itself which doesn’t have much to offer. The dialogues and over-dramatizations coupled with few over-stretched scenes kick the fun out of the play.

The play touches on few serious issues and concerns which are left untold by media and government. The problem is that it fails miserably in connecting with audience. Partly the problem lies with Mumbai audience – it is tough enough for them (us) to visualize a free flowing river and a village. It only becomes tougher (impossible) to sympathize or connect with the cost of development or the cost of our tap water to such villages. But mostly, the problem is with the weak and uninteresting execution.

AglaPlay Verdict: Avoid
AglaPlay Rating: 1/5
Language: Hindi 
Duration: 1 Hour 15 minutes (Approx.)
Writer:  Santosh Tiwari 
Director: Chitransh Pawar
Cast: Santosh Tiwari , 
Vedika Singh, Asif Hussain, 
Reet Kaur, Jitender Singh,  
Naveen Sandhu, Gaurav Singh, 
Shalini Hirani, Neeraj Singh, 
Surabhi Darji 

Below are few relevant links. The whole performance is available on the YouTube channel of director Chitransh Pawar, link provided below.

Complete Play on YouTube

Kashmakash

The play Kashmakash is a gibe at political hypocrisy and opportunism. The protagonist of the play is an honest poor book-binder who is living a hard life with his daughter and wife. In the moment of need, he approaches local politician for help. The politician suggests him to fabricate the story of being a freedom fighter and earn a pension. The poor soul, the hero of our story, agrees to it. The plot gradually unfolds to show the audience merriment, pangs of exploitation and inner-conflicts aka Kashmakash of the family.

The performances of all characters are laudable. The central character is played effortlessly by the common man of the 80s – Aanjan of Wagle Ki Duniya fame. But that is the least expected from seasoned cast of IPTA under the direction of Ramesh Talwar. What this play excels at is the story line. The situations and scenes are written extremely well and are matched perfectly with realistic presentation and paraphernalia. The feelings that the play evokes in the audience are almost palpable. The audience feels sad when for family’s poverty, but also shares the joy and pride of public felicitations.

A motley of all emotions, this one is for everyone! Also, if you have time, ‘Wagle Ki Duniya‘, a famous TV series from late 80s by R K Laxman. The episodes are available on YouTube.

AglaPlay Verdict: A very very good play
AglaPlay Rating: 4/5
Language: Hindi 
Duration: 2 Hours (Approx.)
Writer:  Debasis Majumdar, translation by Santwana Nigam 
Director: Ramesh Talwar
Cast:    Aanjjan Srivastav, 
Sulabha Arya, Avtar Gill, 
Neeraj Pandey/ Vignesh Sinkar, 
Manju Sharma, Ranjana Srivastava, 
Omprakash, Prashant padale, 
Rajeev Jha

Below are a few relevant links, including the YouTube link to Wagle Ki Duniya TV Series.

Other Links
Review at TribuneIndia
Wagle Ki Duniya Wikipedia
Wagle Ki Duniya YouTube

Shatranj Ke Mohre

Director by famed Ramesh Talwar in 70s, this is the longest running play of IPTA group. The title loosely translates to ‘Human Pawns’ in the context of the play. These human pawns, like their fellow Chess pawns; are expendables, and are stuck between the fight of two contrasting ideologies (kings). The central characters here are Kakaji and Acharya Ram Bhajan. The story unfolds between the contrasting ideologies of these two, identifying pawns of the system. This satirical play provokes the free decision-making ability of the characters itself.

The play is a treasure. A must-watch, it balances the bitter satire with precise comic timings and light notes. The seasoned cast of IPTA delivers yet another outstanding performance. The set and lightnings compliment the topnotch performances to create this classic. It is also a good opportunity for the audience to watch so many famed artists performing together on the stage!

AglaPlay Verdict: Must watch
AglaPlay Rating: 5/5
Language: Hindi
Duration: 2 hours 20 minutes (Approx)
Writer: P L Deshpande 
Director: Ramesh Talwar 
Cast:   Aanjjan Srivastav, 
Rakesh Bedi, 
Avtar Gill, Ramesh  Talwar, 
Rashmi Sharma, Bansi Thapar, 
Javed Khan 
& Others

Below are a few relevant links. The web link to the play performance by IIT Kanpur students is also provided for those who cannot see live performance.

Other Links
Image Gallery at IPTA Mumbai site
Ramesh Talwar Wikipedia
Aanjjan Srivastav Wikipedia
Avtar Gill Wikipedia
Rakesh Bedi Wikipedia

Ek Aur Dronacharya

This unsparing, hard-hitting play showcases ground realities of world through events in lives of two teachers across eras. One, the mythical master of archery and scriptures – Dronacharya and another – Arvind, an honest modern-day college professor. Divided by the eras and times, the two unite in the conundrums they face as the practicality hit their idealism hard.

The play is unforgiving in its portrayal of ever-existing conflicts between idealism and the reality; an individual against the system. The idealism, which needs to stand upright with its head held high, is repeatedly drawn into submission for human needs. Did ideals took a bashing from Kaurvas Gold in Mahabharata period? Will ideals genuflect to Rupees in modern world?

The IPTA group delivers yet another sterling performance in this play. Aanjjan and Akhilendra particularly are exemplary in the characters they portray. The play is tightly written. The costumes and stage set is done well. Especially the costumes of Mahabharata-era are very nicely done. A must-watch for the theatre goers who would enjoy a hard-hitting play with great performances!

AglaPlay Verdict: Do watch!
AglaPlay Rating: 4/5
Language: Hindi
Duration: 2 hours 30 minutes (Approx)
Writer: Shankar Shesh 
Director: Subhash Dangayach 
Cast:  Aanjjan Srivastav (Arvind), 
Sulabha Arya (Arvind's wife), 
Akhilendra Mishra (Dronachaarya), 
Nivedita Baunthiyal (Dronacharya's wife)
& Others

Below are a few relevant links. The web link to the play performance by IIT Kanpur students is also provided for those who cannot see live performance.

Other Links
Image Gallery at IPTA Mumbai site
Shankar Shesh Wikipedia
Performance by IIT K 

Salaam Noni Appa

Salutations to sister Noni! Noni, the central character of the play is a widow in her sixties or seventies. She is graceful, calm and composed. In her contrast, her sole companion and sister Binny is full of life and energetic. Binny chooses a new hobby to dabble in every other week, while Noni keeps to herself, spending evenings with scotch reminiscing old days when she felt complete with her husband. After much persuasion from Binny, Noni agrees to practicing Yoga where she meets Anand Ji, the yoga teacher. They become friends. Noni no longer feels alone as earlier. But what is society’s judgement? Is the society even correct in its judgement? Anand has a family while Noni’s only daughter in thirties or forties is living in US, and is not married yet. The play gradually answers all these and comments on societal norms’ impact on the individual’s happiness.

Lillete Dubey’s direction comes through with flying colors yet again. A good actor, she is. She does justice to the roles on the stage as an actor, but what she does to as a director is magic. This play is yet another directorial masterpiece which strikes perfect balance of every emotion and every situation. The characterization is well done, and the cast fits the roles effortlessly.

Strongly recommended for the balance it strikes. The play impacts the progressive outward attitude of characters against regressive inner mindsets; yet manages to deliver it all on a lighter note. Weathering the traffic on road, tensions in office, with ever-increasing costs at home, the performance provides much needed thoughtful break to Mumbai audience!

AglaPlay Verdict: Do watch!
AglaPlay Rating: 4/5
Language: English
Duration: 90 minutes
Writer: Twinkle Khanna
Director: Lillete Dubey
Cast: Lillete Dubey (Noni Appa), 
Jayati Bhatia (Binny), 
Yatin Karyekar (Anand) & Others

Below are a few relevant links. The web links to other reviews are also provided for easy reference.

Other Links
Review at Broadway.com
Review at BookMyShow
The Legend of Lakshmi Prasad at Goodreads
Lillete Dubey Wikipedia 
Jayati Bhatia Wikipedia